This competition is part of a strategic partnership between Buildner and ArchDaily that aims to explore "The Contemporary Home".

Learn more

Introduction

COMPETITION ORGANISERS
Museum of 
Emotions

It may not be your first instinct when entering a building to consider how it makes you feel, but architecture has always had a big impact on emotions. Different spaces are designed to make their inhabitants feel different things; offices can make you feel energised and productive, art galleries can make you feel thoughtful and curious, and museums can make you feel calm and intrigued. Each of these spaces is completely different from each other and is far more than just a building.

As part of a series of annual architecture competitions, the Museum of Emotions competition is tasking participants with using architecture as a tool to bring out different emotions. They are asked to design a museum that includes two separate exhibition halls that bring out contrasting emotions – one inducing negative emotions, and the other inducing positive emotions.

Participants are free to choose the specific emotions they incite with their designs – fear, anger, anxiety, love, happiness, laughter, etc. The purpose of the Museum of Emotions is to use architecture as the primary tool to create emotional states, through consideration of the scales of the spaces, the journey through the space, colour, lighting, and material choice.  As this is an ideas competition, participants are free to choose any site location, real or imaginary, as well as the size of their structure.

Museum of Emotions / Edition #8 is one of Buildners' silent competitions, in which participants must communicate their ideas without the use of any text. The design concept and thinking behind it must all be communicated solely through the use of visuals. 

Download full competition brief for more information!  

Competition is open to all. No professional qualification is required. Design proposals can be developed individually or by teams (4 team members maximum). Correspondence with organizers must be conducted in English; All information submitted by participants must be in English.

Brief

The competition brief is available for download at any time in the following languages: English, Italian, French and Spanish.

FULL COMPETITION BRIEF [ENG] [IT] [FR] [ES]

Download brief

Prizes

Prize fund

10,000 €

1ST PLACE

5,000 €

2ND PLACE

3,000 €

3RD PLACE

1,000 €

Buildner Student Award

1,000 €

(more details)

6 Honourable mentions & certificates

Buildner will acknowledge the outstanding performance of all winners and honourable mentions with Certificates of Achievement.

Publicity campaign

Buildner's publicity campaign offers extensive exposure to the architectural community, ensuring that the results of the competition are seen by a vast audience:

Buildner's two million

The results are published on buildner.com, a leading website in the architecture industry, attracting over one million unique visitors annually. Additionally, the campaign extends to Buildner's social networks, which boast over 800,000 followers combined, and through newsletter campaigns reaching over 200,000 subscribers.

Feature in a book

Winners will be featured in the book.

Interview and movie

Winners will have the opportunity to submit a movie and an interview, boosting their recognizability and helping to build their name in the industry.

Extensive media network

Buildner leverages an extensive network of media industry leaders to publish the competition results. This broadens the audience further, ensuring that participants' work is showcased across multiple platforms known for their influence and reach in the architecture and design sectors.

Publicity

ArchDaily feature

As part of the collaboration between Buildner and ArchDaily, the competition winners will be showcased on ArchDaily, a leading architecture news platform.

This feature will greatly boost the winners' visibility to millions of architecture professionals and enthusiasts worldwide, increasing their chances for new opportunities, attracting new clients, and establishing their reputation in the industry.

Read more about Buildner and ArchDaily partnership
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Jury members shall under no circumstances be contacted by competition participants or their representatives. Participants who attempt to contact jury members, shall be disqualified.

All jury members are involved in the evaluation based on their availability at that time. All communication regarding the competition should only be carried out with Buildner staff. For any questions please contact us on [email protected] 

Xinyue Geng

KPF

United States

Johana Mendoza

Olson Kundig

United States

Noa Raviv

artist

USA

Eleni Soussoni

Yellow Cloud Studio

United Kingdom

Wu Ziye

Co-founder of Mix Architecture

China

Key dates

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Registration fees

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ADVANCED

26 Feb - 23 Apr

105 €

85 €

LAST MINUTE

24 Apr - 18 Jun

135 €

105 €

ADVANCED

26 Feb - 23 Apr

105 €

85 €

LAST MINUTE

24 Apr - 18 Jun

135 €

105 €

+4.5% VAT

 

STUDENT REGISTRATION REQUIREMENTS

Contact us to receive special student rates for group registrations (discount applies for 3+ registrations from one university/school) and to receive further information and support for getting your students involved in architecture competitions. 

Send us ([email protected]) a request from your university email address and basic information about yourself and your university/school. Only recognized university staff can apply for the reduced student rate.

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Architecture competitions newsletter
As this is an ideas competition, participants are free to choose any site location, real or imaginary.
Participants are asked to dedicate one exhibition hall to negative emotions and one to positive emotions. The exact type of emotions for each hall is not defined. Participants may propose multiple positive and negative emotions for each hall.
As this is an idea competition, participants may propose alternative approaches to the competition brief, however, we would recommend participants to follow the defined rules asking them to dedicate one exhibition hall to negative emotions and one to positive emotions.
For this competition, participants are not allowed to use any text, including but not limited to concept description room tags (e.g.: reception, exhibition hall, etc.) view names (e.g.: floor plan, section, etc.) scale (e.g.: M 1:500, etc.) or project title. The purpose of the “no text” requirement is to ask participants to communicate their design using only images (sketches, 3D perspectives, diagrams, etc.).
For this competition, participants are not allowed to use any text, including but not limited to concept description, room tags (e.g.: reception, exhibition hall, etc.) view names (e.g.: floor plan, section, etc.) scale (e.g.: M 1:500, etc.) or project title. The purpose of the “no text” requirement is to ask participants to communicate their design using only images (sketches, 3D perspectives, diagrams, etc.).
Participants may propose additional functions, however, it is not required.
Absolutely not! You’ll always keep full ownership and authorship of your project. Submitting to a Buildner competition doesn’t mean giving up your rights — it simply gives us permission to share and promote your work as part of the competition. We may feature your project on our website, social media, newsletters, books, or exhibitions — all to celebrate your creativity and inspire others. This permission helps us give your work the visibility it deserves, without needing to ask you each time we publish it.
You can add/remove/edit team member information as often as you want in the upload panel, up until the submission deadline. Learn more here - https://architecturecompetitions.com/how-to-add-team-members-after-april-2023
To register, simply click on “Register Now,” fill out all necessary fields, select your preferred payment method, and submit your details. You will be redirected to PayPal or a card payment gateway to settle the competition fee. Upon confirmation of your payment, we will send you an email containing your Unique Identification Code (UIC). You must then log in to your Buildner account using your architecture.info credentials and validate your UIC to complete the process. Learn more here - https://architecturecompetitions.com/how-to-enter-a-competition
No. Competition entries are evaluated anonymously. The participant registration type is only revealed upon the announcement of the results.
Please contact us – [email protected] and we will address the problem directly.
Yes. If the jury panel selects a Student award's submission for the top 3, it will automatically be awarded both prizes.
The short answer is yes, you may submit a lpreviously published design concept as long as you are the author. Before re-submitting your project, please carefully read the following clarification points listed here - architecturecompetitions.com/resubmit-your-design
As AI-generated images may be based on pre-existing work or generated using proprietary algorithms, it is best to check the specific terms and conditions of the AI tool used to generate the image to determine its ownership status. It may also be necessary to seek legal advice to fully understand the ownership rights and any restrictions that may apply. In general, it is not recommended to consider AI-generated images as your sole work or intellectual property unless you have obtained explicit permission to do so.
Will you publish the best projects in any international architectural resources/web-sites/blogs, if so which are they?
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Architecture competitions serve as a critical platform for advancing architectural discourse and producing original work that contributes to the field. They enable exploration of ideas that may not be possible within commercial practice and allow architectural and societal ideas to reach an international audience.

International architectural competitions are embraced as a parallel terrain of exploration, a place where ideas are free to be tested against demanding and speculative programs, distant from the pragmatics of commissioned work, yet fundamental to the studio’s ongoing architectural inquiry.

Because here, architecture behaves more like a question than an answer.

Architecture competitions provide a unique platform to question conventional practice and to explore ideas that may not yet have a place in commercial projects. They allow architects to engage with urgent global issues—such as sustainability, environmental trauma, and collective memory—without immediate constraints. For me, competitions are an opportunity to test speculative ideas about architecture’s role in ecological repair and to communicate these ideas through strong visual narratives that can reach a broader audience.

HONORABLE MENTION

I regularly participate in international architecture competitions on various platforms, which gives me leadership experience and the opportunity to work with different teams and design approaches. Last year, I took part in five competitions: four projects were published, three received awards, and one is currently awaiting results. Competitions help me broaden my professional horizons, meet new people, stay connected with colleagues, former classmates, and architect friends, and receive direct feedback and advice from jury members. For me, this is one of the most effective ways to continuously develop and test my ideas within a strong international context! I think competitions provide a space to test ideas beyond commercial constraints and to work in interdisciplinary teams. They allow me to rethink familiar approaches and to engage with international professional discourse.

It provides a great opportunity to design architectural projects for building typologies that do not exist in my real-world work but that I deeply admire.

We participate in architecture competitions because they offer an opportunity to experiment with design thinking beyond the framework of academic studio projects. Competitions allow us to engage with social, cultural, and environmental issues on a broader scale, where architecture is not simply an exercise but a tool for questioning existing conditions and proposing potential solutions.

Competitions are a platform for experimentation and reflection - an opportunity to step outside the boundaries of commercial constraints and to test ideas that address deeper cultural, social, or existential questions. They invite architects to think freely, to engage with global issues through design, and to share new perspectives on what architecture can be. For me, competitions are not only about recognition but about rehearsing the future, exploring concepts that may later find resonance in real projects.

Architecture competitions provide a rare space for freedom and experimentation. They allow us to work without predefined answers and to approach architecture as a form of inquiry rather than a product. - For Below the Unseen, the competition format made it possible for us to address a difficult subject (memory, absence, and the long-term consequences of human actions) and allowed us to work with restraint, using light, depth, and reflection to construct an experience rather than a narrative. It offered the freedom to explore architecture as an act of witnessing, one that acknowledges the invisible consequences embedded in the ground and carried forward into the present. Competitions encourage collaboration, critical thinking, and the development of architectural narratives that might not emerge within the limits of everyday professional practice.

Taking part in architecture competitions is primarily about learning, discovering new ideas, and pushing ourselves beyond the limits of daily practice. They offer the freedom to experiment and evolve as designers. In this case, we view it as a meaningful chance to collaborate for the first time and to merge our individual perspectives and skills within a shared creative journey.

Celebrate your idea. Register today!