This competition is part of a strategic partnership between Buildner and ArchDaily that aims to explore "The Contemporary Home".

Learn more

Introduction

COMPETITION ORGANISERS
Museum of 
Emotions

It may not be your first instinct when entering a building to consider how it makes you feel, but architecture has always had a big impact on emotions. Different spaces are designed to make their inhabitants feel different things; offices can make you feel energised and productive, art galleries can make you feel thoughtful and curious, and museums can make you feel calm and intrigued. Each of these spaces is completely different from each other and is far more than just a building.

As part of a series of annual architecture competitions, the Museum of Emotions competition is tasking participants with using architecture as a tool to bring out different emotions. They are asked to design a museum that includes two separate exhibition halls that bring out contrasting emotions – one inducing negative emotions, and the other inducing positive emotions.

Participants are free to choose the specific emotions they incite with their designs – fear, anger, anxiety, love, happiness, laughter, etc. The purpose of the Museum of Emotions is to use architecture as the primary tool to create emotional states, through consideration of the scales of the spaces, the journey through the space, colour, lighting, and material choice.  As this is an ideas competition, participants are free to choose any site location, real or imaginary, as well as the size of their structure.

Museum of Emotions / Edition #8 is one of Buildners' silent competitions, in which participants must communicate their ideas without the use of any text. The design concept and thinking behind it must all be communicated solely through the use of visuals. 

Download full competition brief for more information!  

Competition is open to all. No professional qualification is required. Design proposals can be developed individually or by teams (4 team members maximum). Correspondence with organizers must be conducted in English; All information submitted by participants must be in English.

Brief

The competition brief is available for download at any time in the following languages: English

FULL COMPETITION BRIEF [ENG] [IT] [FR] [ES]

Download brief

Prizes

Prize fund

10,000 €

1ST PLACE

5,000 €

2ND PLACE

3,000 €

3RD PLACE

1,000 €

Buildner Student Award

1,000 €

(more details)

6 Honourable mentions & certificates

Buildner will acknowledge the outstanding performance of all winners and honourable mentions with Certificates of Achievement.

Publicity campaign

Buildner's publicity campaign offers extensive exposure to the architectural community, ensuring that the results of the competition are seen by a vast audience:

Buildner's two million

The results are published on buildner.com, a leading website in the architecture industry, attracting over one million unique visitors annually. Additionally, the campaign extends to Buildner's social networks, which boast over 800,000 followers combined, and through newsletter campaigns reaching over 200,000 subscribers.

Feature in a book

Winners will be featured in the book.

Interview and movie

Winners will have the opportunity to submit a movie and an interview, boosting their recognizability and helping to build their name in the industry.

Extensive media network

Buildner leverages an extensive network of media industry leaders to publish the competition results. This broadens the audience further, ensuring that participants' work is showcased across multiple platforms known for their influence and reach in the architecture and design sectors.

Publicity

ArchDaily feature

As part of the collaboration between Buildner and ArchDaily, the competition winners will be showcased on ArchDaily, a leading architecture news platform.

This feature will greatly boost the winners' visibility to millions of architecture professionals and enthusiasts worldwide, increasing their chances for new opportunities, attracting new clients, and establishing their reputation in the industry.

Read more about Buildner and ArchDaily partnership
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Key dates

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Registration fees

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I will pay in
EARLY BIRD

18 Dec - 25 Feb

75 €

65 €

ADVANCED

26 Feb - 23 Apr

105 €

85 €

LAST MINUTE

24 Apr - 18 Jun

135 €

105 €

EARLY BIRD

18 Dec - 25 Feb

75 €

65 €

ADVANCED

26 Feb - 23 Apr

105 €

85 €

LAST MINUTE

24 Apr - 18 Jun

135 €

105 €

EARLY BIRD

18 Dec - 25 Feb

75 €

65 €

ADVANCED

26 Feb - 23 Apr

105 €

85 €

LAST MINUTE

24 Apr - 18 Jun

135 €

105 €

+4.5% VAT

 

STUDENT REGISTRATION REQUIREMENTS

Contact us to receive special student rates for group registrations (discount applies for 3+ registrations from one university/school) and to receive further information and support for getting your students involved in architecture competitions. 

Send us ([email protected]) a request from your university email address and basic information about yourself and your university/school. Only recognized university staff can apply for the reduced student rate.

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Architecture competitions newsletter
As this is an ideas competition, participants are free to choose any site location, real or imaginary.
Participants are asked to dedicate one exhibition hall to negative emotions and one to positive emotions. The exact type of emotions for each hall is not defined. Participants may propose multiple positive and negative emotions for each hall.
As this is an idea competition, participants may propose alternative approaches to the competition brief, however, we would recommend participants to follow the defined rules asking them to dedicate one exhibition hall to negative emotions and one to positive emotions.
For this competition, participants are not allowed to use any text, including but not limited to concept description room tags (e.g.: reception, exhibition hall, etc.) view names (e.g.: floor plan, section, etc.) scale (e.g.: M 1:500, etc.) or project title. The purpose of the “no text” requirement is to ask participants to communicate their design using only images (sketches, 3D perspectives, diagrams, etc.).
For this competition, participants are not allowed to use any text, including but not limited to concept description, room tags (e.g.: reception, exhibition hall, etc.) view names (e.g.: floor plan, section, etc.) scale (e.g.: M 1:500, etc.) or project title. The purpose of the “no text” requirement is to ask participants to communicate their design using only images (sketches, 3D perspectives, diagrams, etc.).
Participants may propose additional functions, however, it is not required.
Absolutely not! You’ll always keep full ownership and authorship of your project. Submitting to a Buildner competition doesn’t mean giving up your rights — it simply gives us permission to share and promote your work as part of the competition. We may feature your project on our website, social media, newsletters, books, or exhibitions — all to celebrate your creativity and inspire others. This permission helps us give your work the visibility it deserves, without needing to ask you each time we publish it.
You can add/remove/edit team member information as often as you want in the upload panel, up until the submission deadline. Learn more here - https://architecturecompetitions.com/how-to-add-team-members-after-april-2023
To register, simply click on “Register Now,” fill out all necessary fields, select your preferred payment method, and submit your details. You will be redirected to PayPal or a card payment gateway to settle the competition fee. Upon confirmation of your payment, we will send you an email containing your Unique Identification Code (UIC). You must then log in to your Buildner account using your architecture.info credentials and validate your UIC to complete the process. Learn more here - https://architecturecompetitions.com/how-to-enter-a-competition
No. Competition entries are evaluated anonymously. The participant registration type is only revealed upon the announcement of the results.
Please contact us – [email protected] and we will address the problem directly.
Yes. If the jury panel selects a Student award's submission for the top 3, it will automatically be awarded both prizes.
The short answer is yes, you may submit a lpreviously published design concept as long as you are the author. Before re-submitting your project, please carefully read the following clarification points listed here - architecturecompetitions.com/resubmit-your-design
As AI-generated images may be based on pre-existing work or generated using proprietary algorithms, it is best to check the specific terms and conditions of the AI tool used to generate the image to determine its ownership status. It may also be necessary to seek legal advice to fully understand the ownership rights and any restrictions that may apply. In general, it is not recommended to consider AI-generated images as your sole work or intellectual property unless you have obtained explicit permission to do so.
Will you publish the best projects in any international architectural resources/web-sites/blogs, if so which are they?
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over 1,204 winners

I participate in architecture competitions because they offer a space for creative freedom and critical reflection. They allow me to address social, environmental, and urban challenges from new perspectives, beyond the constraints of conventional commissions. Competitions also encourage research, continuous learning, and the exchange of ideas at a global scale.

Architecture competitions are a great opportunity to balance the routine tasks the profession often requires with pure creation. They allow space for experimentation and ideas to emerge freely.

HONORABLE MENTION

Competitions are spaces for experimentation that allow us to contribute to public discourse, challenge conventional solutions, and position design as a meaningful driver of social, environmental, and spatial quality.

We take part in architectural competitions for several reasons. First, they allow us to engage with contemporary challenges and address themes closely connected to current issues. Competitions also provide a valuable experimental framework for exploring different project scales, ranging from territorial approaches—such as those developed through Europan—to micro-architecture. Finally, they offer an opportunity to question and renew our ways of designing architecture by exploring new approaches and integrating a strategic, committed, and responsible vision.

We participate in architecture competitions to test and refine our design approaches and methodologies on projects we are truly passionate about. The freedom these briefs offer allows us to push creative boundaries in form, materiality, and structure, which often leads to bold, innovative ideas that would not always be feasible in real-world practice. Beyond competing, we see these opportunities as a platform to share our vision and thinking with the public and to engage in dialogue with other talented designers worldwide.

We find is a way to keep researching new ways of architecture while challenging ourselves and seeing what the world has to offer.

Competitions serve as a platform for us to explore fresh ideas, challenge ourselves, and experiment with cutting-edge design concepts. They grant us the freedom to think creatively and approach problems in unconventional ways, which fosters a culture of innovation within our team. This environment also enables us to continuously refine our skills as we engage with diverse design briefs and problem-solving scenarios, offering a sense of growth and development. Moreover, competitions provide an opportunity to inspire others and, in turn, increase our visibility and recognition within the architectural community and beyond. This exposure can significantly enhance our presence and reputation, amplifying our impact on the field. In essence, participating in architecture competitions resonates with our commitment to innovation, collaboration, social responsibility, and historical preservation. It empowers us to stretch the boundaries of our creativity, advance professionally, expand our professional network, gain acknowledgment, and contribute positively to our society.

Competitions have been a gateway for us. They offer a space to explore bold ideas without the limitations of conventional practice. For young studios like ours, they provide a platform that allows us to grow, test ideas, and gain global visibility while remaining grounded in local issues.

We view competitions as a vital opportunity to critically question our ideas, evolve our designs and contribute to a broader architectural discourse. Looking beyond the “bubble” of our own university and encouraging an international exchange of information is, in our opinion, essential for personal growth and for professionalizing our collaboration.


Competitions offer space for speculation—a chance to test ideas without the immediate constraints of client approval or regulatory frameworks. They allow us to explore material behaviors and construction methods that might seem unconventional within typical practice. For Playwood specifically, the competition format provided an opportunity to challenge the industry's relationship with "defective" materials. The project asks: what if we built with what's discarded rather than perfected? Competitions let designers ask these questions publicly and materially, turning propositions into tangible prototypes that can circulate, provoke, and inform future work.

Celebrate your idea. Register today!