Ideas competitions feed the conceptual dimension of my work and extend a practice of installation carried out for contemporary art festivals. Each site becomes the occasion for a new gesture, a new reading of material and landscape. This continuous dynamic of experimentation, research and reflection lies at the heart of my way of conceiving architecture as an open field.

The competitive intensity gives our creative energy focus and pushes us to question what we believe we are capable of. It encourages us to challenge our first ideas, test unfamiliar approaches, and keep developing a proposal beyond the point where we might otherwise stop. Working through that process together often reveals limits in our thinking that we had not recognised, and possibilities we would not have discovered without the challenge.

I participate in competitions because I learn a lot from seeing how others respond to the same brief. After working through the same challenge myself, I also learn a lot by studying the winning entries.

After graduating and starting to work in architecture, competitions became a creative outlet that we missed from school. In practice, there are often project constraints and deadlines that shape how you approach design, whereas competitions give us a chance to step back and explore ideas more freely. We see them as an opportunity to keep challenging ourselves, try different approaches, and continue developing our creativity and skills as designers.

Exploring design apart from our everyday context is what drives us to take on these challenges. Competitions offer a unique opportunity to step outside our conventional routine and break free from familiar design habits, while creating an architectural conversation among societies. Beyond sharpening our problem-solving skills, they push us to engage with architecture through a boundaryless, global lens.

We participate in competitions because none of us had much experience with the competition process before, and we wanted to experience it for ourselves. We like that competitions create a very specific working environment: there is a clear task, a fixed deadline and a set of constraints. At the same time, there is a lot of freedom in how you approach the problem and develop your own idea. Of course, the competitive aspect is part of the attraction. But we are equally interested in the process itself and in seeing how far we can develop an idea within a limited amount of time. For us, it is also a way to test different ways of working together and to see how we can turn an initial idea into a coherent architectural proposal.

We love taking on new challenges. Since architecture reaches into every part of how people live, we don't want to stay within one field. That's why we enter competitions on all kinds of themes and face questions we rarely come across in our everyday work. The Museum of Emotions was a completely new challenge for us. With no text allowed, only images, it gave us the opportunity to test whether space alone could convey an emotion.

I participate in architecture competitions to see a wide range of projects and ideas from diverse environments and to explore ways to use these ideas to help my community. They are also an opportunity to test myself in front of people who are recognized for their excellence and leadership in the field.

Architecture competitions give us the freedom to explore ideas beyond the constraints of a conventional client or program. For The Loop Within, this meant exploring emotion and the cycle of human life through architecture — moving between openness and enclosure, light and darkness, joy, uncertainty, fear, and acceptance. Our collaboration was also an important part of the process. Coming from different cultural and religious backgrounds, we became interested not in emphasizing what separates us, but in exploring the experiences that ultimately make us alike. Competitions give us the freedom to test these ideas and develop our own architectural voice.

Architecture competitions hold a unique and important place in the profession, offering value both to society and to the architects who participate. As architects, we have a responsibility to be visionaries in the built environment and to champion equitable, sustainable, and beautiful design. Competitions provide a forum to test those ideas while building a toolkit of skills and approaches that can inform our work and, potentially, the work of others. They create space for critical investigations of the design zeitgeist and for experimentation that can push the discipline forward. I participate for my own growth as a designer—and because they are good fun.