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A Forest Pavilion with a Mirrored Inflatable Canopy

A Forest Pavilion with a Mirrored Inflatable Canopy
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Set within a forested site in Aknīste, Latvia, the temporary installation was conceived for a multidisciplinary sound festival focused on open-air performance and environmental awareness. The design supports informal interaction between performers, audience, and landscape through adaptable spatial elements and responsive materials.
5 key facts about this project
01
Built for the Sansusi Sound Festival as a temporary installation.
02
Translucent polycarbonate sheathing provides weather resistance and lightness.
03
A mirrored inflatable canopy reflects and responds to the forest.
04
Adjustable stage flats function as walls, seating, or surfaces.
05
Slender vertical components mirror the surrounding birch trees.

Located within a birch forest in Aknīste, Latvia, [re] FRAME Sound Sculpture was developed for the Sansusi Sound Festival as a temporary installation that supports diverse performance formats in an open-air setting. The structure responds to the festival’s emphasis on spontaneity and environmental connection by offering a flexible, interactive platform that invites movement, listening, and informal gathering. Its spatial and acoustic qualities are shaped by both the surrounding landscape and the dynamics of live performance.

Material strategy and spatial flexibility
The structure is built using dimensional lumber for its primary frame, anchored by ready-mix concrete footings to ensure stability on site. Translucent polycarbonate sheathing offers weather resistance while maintaining a sense of visual lightness. A mirrored inflatable canopy reflects the forest canopy and responds to wind, introducing ephemeral movement and ambient sound. The system is supported by mesh netting and pulley mechanisms, allowing for weather-responsive adjustment and facilitating reuse.

Landscape integration and acoustic atmosphere
Slender vertical components echo the rhythm of surrounding birch trees, creating a visual continuity between built and natural forms. Adjustable stage flats operate as walls, seating, or performance surfaces, enabling reconfiguration for various events. The interplay between the canopy and the environment contributes to a layered sensory experience, reinforcing the spatial relationship between performance, audience, and forest context.

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