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A Radial Tower Connecting Landscape and Cultural Narratives

A Radial Tower Connecting Landscape and Cultural Narratives
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Situated within the prairie landscape of De Smet, South Dakota, the design draws inspiration from the form and symbolism of pioneer-era covered wagons. The intervention engages visitors through movement, materiality, and historical reference.
5 key facts about this project
01
Conestoga Tower draws inspiration from covered wagons.
02
The tower features a radial circulation plan for movement.
03
Four distinct levels offer varied spatial experiences.
04
Natural materials reflect local heritage and environment.
05
Embedded literary references connect users to cultural history.

Located in De Smet, South Dakota, Conestoga Tower references the historical form of covered wagons once used by pioneers, grounding its architectural expression in local heritage. Positioned as both a viewing platform and a commemorative structure, the tower invites engagement with the surrounding landscape while drawing attention to cultural narratives tied to the region. The design emphasizes a layered spatial experience that connects visitors to key geographical features, including Big Slough and Silver Lake.

Circulation strategy and spatial orientation
Organized around a radial plan, the tower incorporates two primary circulation paths: an inner core focused on vertical movement and an outer ring offering a continuous route for observing the landscape. This configuration supports clear wayfinding while reinforcing the experiential theme of journey. Four primary levels—Sky, Water, Grass, and Ground—each frame distinct views and offer varying levels of interaction, from broad panoramas to immersive, ground-level experiences. Public pathways and gathering spaces at the base extend the tower’s reach into the surrounding environment.

Material framework and environmental response
A material palette of wood, glass, and steel reflects a balance between historic reference and contemporary construction. Timber cladding evokes the texture and character of the prairie, while a permeable wood skin allows for ventilation and filtered light. Glass inserts open visual access to the terrain, and steel components provide structural stability. Natural finishes and low-impact detailing support environmental integration, while interpretive elements—such as embedded literary references—connect users to the cultural history of the site.

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The Buildner’s Unbuilt Award 2025: Celebrating Architectural Creativity and Visionary Unbuilt Designs with a Total Prize Fund of €100,000

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The Buildner’s Unbuilt Award 2025 is an international architecture competition dedicated to recognizing and celebrating the value of unrealized architectural designs. It invites architects, designers, and students worldwide to submit visionary projects that have not yet been constructed, highlighting the power of ideas and the creativity behind the design process. By focusing on unbuilt work, the competition aims to bring forward concepts that shape the future of architecture and push the boundaries of the profession. 

Participants can compete in three categories based on project scale: Small Wonders (up to 100 m²), Medium Marvels (101–999 m²), and Large Visions (over 1,000 m²). Each category winner will receive €20,000, and additional prizes include honorable mentions, student awards, and a special Best Presentation Award. Winning projects will gain significant international exposure through Buildner’s publicity campaign and a feature article on ArchDaily, providing a unique opportunity to showcase creative ideas to a global audience. 

The Buildner’s Unbuilt Award 2025 encourages entrants to submit any type of unbuilt project, from conceptual visions to detailed designs, celebrating bold innovation without the constraints of realization. Important deadlines: registration closes on October 30, 2025; submissions are due by November 20, 2025; winners will be announced on December 17, 2025.

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