This competition is part of a strategic partnership between Buildner and ArchDaily that aims to explore "The Contemporary Home".

Learn more

Introduction

COMPETITION ORGANISERS
Museum of 
Emotions

It may not be your first instinct when entering a building to consider how it makes you feel, but architecture has always had a big impact on emotions. Different spaces are designed to make their inhabitants feel different things; offices can make you feel energised and productive, art galleries can make you feel thoughtful and curious, and museums can make you feel calm and intrigued. Each of these spaces is completely different from each other and is far more than just a building.

As part of a series of annual architecture competitions, the Museum of Emotions competition is tasking participants with using architecture as a tool to bring out different emotions. They are asked to design a museum that includes two separate exhibition halls that bring out contrasting emotions – one inducing negative emotions, and the other inducing positive emotions.

Participants are free to choose the specific emotions they incite with their designs – fear, anger, anxiety, love, happiness, laughter, etc. The purpose of the Museum of Emotions is to use architecture as the primary tool to create emotional states, through consideration of the scales of the spaces, the journey through the space, colour, lighting, and material choice. 

As this is an ideas competition, participants are free to choose any site location, real or imaginary, as well as the size of their structure.

Museum of Emotions / Edition #7 is one of Buildners' silent competitions, in which participants must communicate their ideas without the use of any text. The design concept and thinking behind it must all be communicated solely through the use of visuals.

Download full competition brief for more information! 

Competition is open to all. No professional qualification is required. Design proposals can be developed individually or by teams (4 team members maximum). Correspondence with organizers must be conducted in English; All information submitted by participants must be in English.

Brief

The full competition brief can be downloaded as often as required; no additional information will be provided after registration.

Full Competition Brief

Download brief

Prizes

Prize fund

10,000 €

1ST PLACE

5,000 €

2ND PLACE

3,000 €

3RD PLACE

1,000 €

Buildner Student Award

1,000 €

(more details)

6 Honourable mentions & certificates

Buildner will acknowledge the outstanding performance of all winners and honourable mentions with Certificates of Achievement.

Publicity campaign

Buildner's publicity campaign offers extensive exposure to the architectural community, ensuring that the results of the competition are seen by a vast audience:

Buildner's two million

The results are published on buildner.com, a leading website in the architecture industry, attracting over one million unique visitors annually. Additionally, the campaign extends to Buildner's social networks, which boast over 800,000 followers combined, and through newsletter campaigns reaching over 200,000 subscribers.

Feature in a book

Winners will be featured in the book.

Interview and movie

Winners will have the opportunity to submit a movie and an interview, boosting their recognizability and helping to build their name in the industry.

Extensive media network

Buildner leverages an extensive network of media industry leaders to publish the competition results. This broadens the audience further, ensuring that participants' work is showcased across multiple platforms known for their influence and reach in the architecture and design sectors.

Publicity

ArchDaily feature

As part of the collaboration between Buildner and ArchDaily, the competition winners will be showcased on ArchDaily, a leading architecture news platform.

This feature will greatly boost the winners' visibility to millions of architecture professionals and enthusiasts worldwide, increasing their chances for new opportunities, attracting new clients, and establishing their reputation in the industry.

Read more about Buildner and ArchDaily partnership
&

Jury members shall under no circumstances be contacted by competition participants or their representatives. Participants who attempt to contact jury members, shall be disqualified.

All jury members are involved in the evaluation based on their availability at that time. All communication regarding the competition should only be carried out with Buildner staff. For any questions please contact us on [email protected]  

Stephanie Deumer

Visual Artist

USA

José Luis Pérez Hermo

Coop Himmelb(l)au

Austria

Bartosz Haduch

NArchitekTURA

Poland

Françoise N’Thépé

Françoise N'THEPE - Architecture & Design

France

Andreas Profanter

Architect

Austria

Nuno Pimenta

NUNO PIMENTA

Portugal

Charles Tashima

Studio Tashima

United Kingdom

Yunchao Xu

Atelier Apeiron

China

Key dates

Send reminders
As this is an ideas competition, participants are free to choose any site location, real or imaginary.
Participants are asked to dedicate one exhibition hall to negative emotions and one to positive emotions. The exact type of emotions for each hall is not defined. Participants may propose multiple positive and negative emotions for each hall.
As this is an idea competition, participants may propose alternative approaches to the competition brief, however, we would recommend participants to follow the defined rules asking them to dedicate one exhibition hall to negative emotions and one to positive emotions.
For this competition, participants are not allowed to use any text, including but not limited to concept description room tags (e.g.: reception, exhibition hall, etc.) view names (e.g.: floor plan, section, etc.) scale (e.g.: M 1:500, etc.) or project title. The purpose of the “no text” requirement is to ask participants to communicate their design using only images (sketches, 3D perspectives, diagrams, etc.).
For this competition, participants are not allowed to use any text, including but not limited to concept description, room tags (e.g.: reception, exhibition hall, etc.) view names (e.g.: floor plan, section, etc.) scale (e.g.: M 1:500, etc.) or project title. The purpose of the “no text” requirement is to ask participants to communicate their design using only images (sketches, 3D perspectives, diagrams, etc.).
Participants may propose additional functions, however, it is not required.
Absolutely not! You’ll always keep full ownership and authorship of your project. Submitting to a Buildner competition doesn’t mean giving up your rights — it simply gives us permission to share and promote your work as part of the competition. We may feature your project on our website, social media, newsletters, books, or exhibitions — all to celebrate your creativity and inspire others. This permission helps us give your work the visibility it deserves, without needing to ask you each time we publish it.
You can add/remove/edit team member information as often as you want in the upload panel, up until the submission deadline. Learn more here - https://architecturecompetitions.com/how-to-add-team-members-after-april-2023
To register, simply click on “Register Now,” fill out all necessary fields, select your preferred payment method, and submit your details. You will be redirected to PayPal or a card payment gateway to settle the competition fee. Upon confirmation of your payment, we will send you an email containing your Unique Identification Code (UIC). You must then log in to your Buildner account using your architecture.info credentials and validate your UIC to complete the process. Learn more here - https://architecturecompetitions.com/how-to-enter-a-competition
No. Competition entries are evaluated anonymously. The participant registration type is only revealed upon the announcement of the results.
Please contact us – [email protected] and we will address the problem directly.
Yes. If the jury panel selects a Student award's submission for the top 3, it will automatically be awarded both prizes.
The short answer is yes, you may submit a lpreviously published design concept as long as you are the author. Before re-submitting your project, please carefully read the following clarification points listed here - architecturecompetitions.com/resubmit-your-design
As AI-generated images may be based on pre-existing work or generated using proprietary algorithms, it is best to check the specific terms and conditions of the AI tool used to generate the image to determine its ownership status. It may also be necessary to seek legal advice to fully understand the ownership rights and any restrictions that may apply. In general, it is not recommended to consider AI-generated images as your sole work or intellectual property unless you have obtained explicit permission to do so.
Will you publish the best projects in any international architectural resources/web-sites/blogs, if so which are they?
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Testimonials

Join our growing list of
over 1,169 winners

I see architectural competitions as fields where I can think more freely than in everyday practice. For me, they act as a laboratory for testing new typologies, developing more speculative ideas about material and structure, and challenging my own design approach. Competitions also allow me to see the work of international juries and other participants, which helps me place my own work within a broader context. In short, I choose to take part in competitions to develop myself professionally and to further clarify my portfolio, my way of thinking, and my design language.

HONORABLE MENTION

This is our first time participating in an architectural competition. We wanted to further hone our design skills by learning something different outside of the classroom. We specifically chose to participate in this competition because we wanted to challenge ourselves to think and design at the intimate scale of a chair. We believe that architects who design most sensitively for the human scale are often those who, at some point in their careers, have also designed chairs.

As young designers, we participate in architecture competitions because they challenge us to grow, build a meaningful portfolio, and put our work into dialogue with a wider creative community. More importantly, we believe that one does not need to be an architect or industrial designer to contribute to innovation in the built environment. Coming from graphic design, entering these competitions has pushed us to explore spatial thinking, collaborate with industrial designers, and expand our approach—from flat systems to considerations of volume, weight, materiality, and human experience.

Competitions are an opportunity to challenge myself creatively and to engage in dialogue across disciplines. They provide space to test new concepts, express ideas freely and contribute to the wider conversation around design and architecture. For me, they are both an exercise in clarity and a way to share my perspective with a broader audience.

I enter architecture competitions to think out loud through form, challenging the norm and creating what doesn’t yet exist — all for the thrill of challenging myself.

I participate in architecture competitions because they challenge me to move beyond the familiar and keep evolving as a designer. The briefs are often far more provocative and ambitious than what I encounter in everyday practice, and that pushes me to think critically, explore new directions, and test ideas that wouldn’t surface otherwise. That level of creative freedom is incredibly energising—it allows me to take risks, stretch my capabilities, and refine my understanding of my own creative practice and the design ethos I want to build. 

Competitions allow me to connect with like-minded designers, discover diverse perspectives, and challenge myself creatively beyond commercial constraints.

I do not have experience with furniture competitions yet, but I do have successful experience with interior competitions. For a beginner, competitions are one of the few ways to receive objective feedback from a professional community rather than from social media users.

We participate in architectural competitions to challenge ourselves with diverse project typologies and broaden our understanding of different global contexts. Each competition offers a unique opportunity to experiment with various design narratives and technologies, serving as a testing ground for new ideas and approaches. This process ultimately advances our knowledge base and skill set, informing and enriching our future projects.

Perhaps the most important role competitions play for me is the opportunity to develop design skills and broaden my knowledge base as a practicing architect through the intense competition process, where the focus is on conceptual design and the early design phase. In competitions, you can quite freely develop and test new ideas and architectural approaches, as many parties that commission architectural competitions seek them. If the competition program and location are as inspiring as this one, it also brings great joy in participating.