The first place entry stands apart because of its strong response to a difficult urban condition and its conceptual relationship to the ethos and culture of the tattoo. The project combines the two triangular sites, separated by a diagonal street, with a perforated black metal screen to create a rectangular urban frame. This frame partially conceals and contains an interior environment separate from the surrounding urban fabric, comprised of an open-air park on one lot and a concrete, steel, and glass structure on the larger lot. While the exterior frame disrupts the urban grid and allows it to stand apart from its urban fabric, the interior deploys a steel post-and-beam grid structural solution, oriented to the fabric of the city. This frame and structural system create a gradient of interior privacy while interfacing with the public and allowing a flexible floor plate for future use. The material selection evokes a raw refinement, elevating the practice and culture of the tattoo as a sophisticated institution. Ultimately, the strength of the project is found in its careful balance between the powerful demarcation of its territory through a simple frame, reflecting the ethos of the act of the tattoo as an irreversible transgression, opening its interior to the public through its simple tectonic kit of parts, and allowing the building to evolve over time.