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Curvilinear Structure Crafted From Shou-Sugi-Ban Timber Overlooking Mývatn Lake

Authors:
Tamir Enkhtsatsral-hoever, Melissa Soh
Curvilinear Structure Crafted From Shou-Sugi-Ban Timber Overlooking Mývatn Lake

Project in-detail

Crafted with shou-sugi-ban timber, this curvilinear museum seamlessly integrates into the volcanic landscape of Mývatn, providing an immersive educational experience focused on the region's geological wonders.
5 key facts about this project
01
Utilizes shou-sugi-ban treatment for enhanced durability and unique aesthetic appeal.
02
Incorporates a sunken garden to promote biodiversity and create a tranquil visitor experience.
03
Features a curvilinear design that mimics the shapes of local volcanic formations.
04
Employs natural light through extensive glazing, blending interior spaces with the landscape.
05
Constructed using locally sourced timber to emphasize sustainability and connection to the region.
The Iceland Volcano Museum represents a thoughtful exploration of architecture as a means to engage with and interpret the unique geological features of its surroundings. Located near Lake Mývatn, a region renowned for its geothermal activity and volcanic landscapes, the museum aims to create an educational resource while fostering a deep connection between visitors and the natural world. This project is not only a museum but also a cultural bridge that highlights Iceland’s rich volcanic history.

Functionally, the museum is designed to serve multiple purposes. It provides exhibition spaces that house displays focused on the mechanisms of volcanic activity, the impact of geothermal energy, and the cultural significance of these elements to Icelanders. The layout is carefully structured to ensure that visitors experience a narrative journey through the exhibits, while the architecture itself invites contemplation of the surrounding landscape. The integration of a café and a garden area enhances the visitor experience, allowing time for reflection and promoting a sense of community.

Several important elements contribute to the overall design of the museum. The building features a flowing, organic form that echoes the contours of the nearby volcanic craters. This fluid shape is not merely aesthetic; it serves to merge the structure with the landscape, minimizing visual disruption. The use of local materials prominently features in the design, with timber sourced from the region and treated with shou-sugi-ban, a technique that enhances durability and emphasizes sustainability. The choice of concrete further grounds the building within its environment while providing a tactile contrast to the softer surfaces.

Critical to the museum's architecture is the extensive use of glass, which allows natural light to fill the spaces and provides unobstructed views of the dramatic landscape. This design choice creates a dynamic interaction between the interior and exterior, encouraging visitors to appreciate the natural beauty surrounding the museum as they explore its offerings. The deliberate placement of windows and open areas ensures that daylight enhances the overall atmosphere and promotes a sense of well-being among visitors.

Unique design approaches characterize this project as well. The incorporation of a central sunken pond, referred to as the Silent Garden, encourages a peaceful engagement with nature. This feature not only aids in environmental cooling and enhances biodiversity but also serves as a visual focal point that complements the building's overall theme of harmony with the landscape.

Overall, the design of the Iceland Volcano Museum exemplifies a modern approach to architectural practice, emphasizing sustainability, contextual relevance, and an immersive visitor experience. The project invites exploration and inquiry, being more than just an architectural feat; it stands as a testament to the relationship between human activity and the powerful forces of nature. Readers are encouraged to delve into the project presentation for a more in-depth look at architectural plans, architectural sections, and architectural designs that showcase the innovative ideas behind this museum.
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100,000€ Prize / 2025

Design a new small-scale home concept in the 10th edition of MICROHOME — 100,000 € prize + construction

Competition organisers

The 10th edition of the MICROHOME architecture competition invites architects and designers from around the world to explore the possibilities of compact, sustainable living. Hosted by Buildner in collaboration with Kingspan and Hapi Homes, this special edition challenges participants to design an off-grid, modular microhome for a young professional couple, with a maximum floor area of 25 m². Designs should prioritize innovation, efficiency, and real-world feasibility. 

A total prize fund of 100,000 € will be awarded, including three main prizes, the Kingspan Award, and the Hapi Homes Award, which will grant 15,000 € and lead to the construction of the selected design. The final registration deadline is September 25, 2025, and winners will be announced on Decebmer 9, 2025. For full competition details and submission guidelines, visit microhome.info.

Microhome

Design a new small-scale home concept in the 10th edition of MICROHOME — 100,000 € prize + construction

100,000 € PRIZE FUND / KINGPSAN EDITION #10 IDEAS COMPETITION
Prize 100,000 € + Potential realisation
Eligibility Open to all
Early bird registration deadline 22 May 2025
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