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Charred Wood Shingles and Steel Facades Creating a Reflection of Unity in a Commemorative Memorial

Authors:
Colin Chan, Jermaine Santos Bunoan, Sherlin Lin
Charred Wood Shingles and Steel Facades Creating a Reflection of Unity in a Commemorative Memorial
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Charred wood shingles and a steel facade intertwine to create a reflective space that honors the historical unity of the Baltic States while serving as a multifunctional memorial for public engagement and education.
5 key facts about this project
01
Charred wooden shingles provide both aesthetic appeal and fire resistance.
02
Cross-laminated timber panels enhance structural integrity and sustainability.
03
A sloped ramp ensures complete accessibility for all visitors.
04
Native plant landscaping creates a connection to local ecology.
05
Interactive exhibition spaces facilitate ongoing community education and engagement.

## Project Overview

The Baltic Way Memorial is located in the Baltic States, serving to commemorate a pivotal historical event in 1989 when millions gathered to peacefully protest against Soviet occupation. The design embodies themes of unity and resilience, providing a physical manifestation of the collective struggle for independence. This project aims to create a space that highlights the significance of human connection and collective action in the journey toward freedom while facilitating contemporary civic activities.

### Spatial and Functional Design

The memorial is structured to promote interaction and reflection among visitors, emphasizing its role as both a commemorative site and a multifunctional civic space. The main entrance is purposefully designed with an accessible ramp that guides visitors toward the heart of the memorial, symbolizing the welcoming nature of freedom. Adjacent to the monumental structures, Memorial Square serves as a focal point for public events, fostering community engagement and commemorative activities. The Baltic Garden further enhances the visitor experience, integrating native flora to create a serene environment that encourages personal introspection and symbolizes growth.

### Material Selection

Materiality plays an essential role in the architectural narrative, with selections made to convey strength, durability, and connection to nature. Concrete forms the structural backbone of the memorial, representing resilience, while steel elements in the grandstand and exhibition spaces denote modernity. Glass facades invite natural light and symbolize transparency, fostering openness. Additionally, wooden features in the landscape offer warmth and enhance the connection to the site's natural context. This thoughtful integration of materials not only supports the design's aesthetic intent but also reinforces the memorial’s themes of remembrance and cultural identity.

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The Next House: USA — A Global Call to Reimagine the American Suburb

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Competition organisers

Buildner is launching The Next House: USA, a global architecture competition that challenges architects, designers, and thinkers to reimagine the American suburban home for the 21st century. For decades, the suburban house has symbolized comfort and stability, but today it often reflects excess, isolation, and environmental strain. This competition asks: how can the American home evolve to address climate urgency, economic pressures, and shifting social values?

Participants are tasked with designing a prototype home of no more than 1,500 sq ft (≈140 m²) for a household of two adults and one child. The design should be compact yet generous, adaptable, sustainable, affordable, and replicable across diverse U.S. contexts. More than a design exercise, the competition aims to spark a conversation about how homes can support healthier, smarter, and more connected communities.

The total prize fund is $20,000 USD. The final registration deadline is May 20, 2026, and winners will be announced on September 22, 2026. The Next House: USA invites architects, students, and visionaries worldwide to redefine what the American home means today—and what it should mean tomorrow.

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