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Charred Wood Cladding and Transformable Glass Walls in a Community-Centric Structure

Authors:
Andrew Kotleski, Josh Mcdonald, Omar Aboulezz
Charred Wood Cladding and Transformable Glass Walls in a Community-Centric Structure

Project in-detail

Utilizing charred wood cladding and adaptable glass walls, the structure creates a seamless interaction between interior spaces and the surrounding volcanic landscape, serving as a communal hub for visitors in Iceland.
5 key facts about this project
01
Distinctive charred wood cladding enhances durability while echoing the local volcanic landscape.
02
A transformable glass wall allows for flexible use of space and continuous connection to the outdoors.
03
Incorporation of cross-laminated timber panels contributes to structural efficiency and sustainability.
04
The bent A-frame design provides unique aesthetic appeal while optimizing natural light within the interior.
05
Careful site orientation maximizes views of Myvatn Lake and Hverfjall Volcano, reinforcing the connection to the environment.

The Longhouse project, located within the Dimmuborgir area in Iceland, serves as an architectural intervention that harmonizes modern design with cultural context. Its primary function is to create a space that facilitates community engagement while preserving the natural landscape’s integrity. The Longhouse draws inspiration from traditional Nordic building styles, utilizing a linear form that offers expansive views of the surrounding volcanic terrain and natural features, such as Myvatn Lake and Hverfjall Volcano.

The architecture reflects a commitment to sustainability and ecological awareness. The design emphasizes the use of local materials, notably charred wood for the exterior cladding, which not only enhances durability but also establishes a visual connection to the volcanic environment. The structure is organized into distinct zones that cater to varied uses, including communal gathering spots and private areas, allowing for flexible functionality while encouraging a sense of community.

Unique Design Approaches

The Longhouse distinguishes itself through its innovative spatial configuration and material selection. The large central hall, which acts as the main gathering space, features a transformable glass wall that effectively merges the interior space with the outdoor environment. This design allows natural light to permeate the interior while offering unobstructed views, crucial for enhancing user experience. The adaptability of the space is one of the project’s key strengths, allowing it to accommodate different activities ranging from informational presentations to social interactions.

Incorporating structural elements such as steel beams and columns permits larger open spaces, which contrasts with the more intimate enclosed areas. This approach creates a layered experience as users navigate through varying degrees of openness and enclosure. Moreover, the architectural layout encourages movement and social interaction, supporting the overall mission of fostering community ties.

Sustainability is further manifested in the choice of materials, such as burnt larch boards for roofing and concrete for structural stability. The commitment to local craftsmanship is evident, with materials sourced to reflect the indigenous architectural heritage. This aspect not only enriches the aesthetic appeal but also underscores the building’s role in situating its design within the Icelandic context.

For those interested in the architectural elements that contribute to the Longhouse's design, exploring the architectural plans, architectural sections, and architectural ideas will provide further insights into this carefully crafted project. The Longhouse stands as an example of how thoughtful architectural design can respond to environmental challenges while promoting community engagement.

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The Mujassam Watan Urban Sculpture Challenge invites architects and designers to create iconic public sculptures for one of two sites in Saudi Arabia: Abu Hadriyah Road or the Tharwa Sea Front in Al-Khobar. Proposals should reflect Saudi identity, culture, and future aspirations.

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The Mujassam Watan Urban Sculpture Challenge is an international architecture and design competition inviting creatives to shape the future of Saudi Arabia’s public spaces. With a total prize fund of €50,000, the competition calls for sculptural proposals that merge cultural symbolism with innovative design, offering participants a chance to see their concepts brought to life in a rapidly transforming national context.

Organised by Buildner in partnership with the Mujassam Watan Initiative, the challenge focuses on two prominent locations: Abu Hadriyah Road, a major highway and gateway into the Eastern Province, and the Tharwa Sea Front in Al-Khobar, a pedestrian-focused waterfront district. Designers must select one site and develop a sculpture that engages with its surroundings—whether addressing the fast-paced dynamism of a transit corridor or creating moments of interaction along a coastal promenade.

Proposals should be bold, site-specific, and rooted in narrative—drawing on themes such as heritage, national identity, transformation, and dialogue. Environmental responsiveness, material durability, and feasibility are strongly encouraged, as winning projects may be selected for actual construction.

Each submission must include four A2 landscape presentation boards, a cover image, and a written project description. The competition is open to professionals and students alike, working individually or in teams of up to four people. No professional license is required.

Registration is open until July 24, 2025, with final submissions due by August 27, 2025. Winners will be announced on October 1, 2025.

Mujassam Watan Urban Sculpture Challenge

Design iconic urban sculptures for the prestigious Mujassam Watan competition and compete for 50,000 €

50,000 € PRIZE project COMPETITION
Prize 50,000 € + Potential realisation
Eligibility Open to all
Final registration deadline 24 July 2025

Enter an open architecture
competition now

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